Seal Team (2021)
Some of the most iconic animated films of all time started from a very simple
idea. Like what if a child’s toys came to life? Or what if we made
The Great Escape with Chickens? Netflix’s new animated feature
Seal Team
seems to have such a basic inspiration: what if Navy SEALS were actual
seals, as in the sea-going animals?
The film features an elite unit of seals and dolphins trained by humans to
diffuse bombs. The unit was disbanded in the 80s after a mission ended in
failure. Years later, a young seal manages to convince the unit’s leader
Claggart to lead a new Seal Team to take on the sharks that terrorise the residents
of Seal Island.
The story is inspired by the real-life program where the US Navy reportedly
really did train dolphins and seals for this purpose, but that’s where any
connection with reality ends, in what is ultimately a joyously cartoony
movie. The opening sequence takes its inspiration from 80’s action movies,
complete with VHS effect and appropriate font choice, which is only the
first example of the visual invention that is found throughout the film.
It’s here we meet the younger version of Claggart (voiced, with
gravelly-gravitas by the always excellent JK Simmons) and the
munitions expert Switch, voiced by South Africa’s own
Sharlto Copley.
Flashing forwards to the modern day, we are introduced to the various quirky
residents of the seal colony. Animated films which have non-human casts can at
times struggle to make characters look different from each other when in
reality, it’s not that easy for the human eye to tell one from another. Kudos
to Triggerfish then for managing to create enough variations on the basic seal
design that there is no issue with getting characters mixed up. Giving them
each a tuft of human-like hair on the top of their head was a good move, that
can play a surprisingly big part in giving each character a personality.
Take for example the vein and boastful Geraldo (voiced by
Patrick Warburton), whose floppy hair fits his character perfectly.
Most importantly, this is where we are introduced to our lead
Quinn and his best friend Benji, whose close encounter with
sharks sets the whole plot in motion.
Any new animated film taking place under the sea has to exist in the shadow
of Pixar’s classic Finding Nemo (and its sequel
Finding Dory). While some superficial similarities are inevitable (there are only so
many ways to depict a shark) Seal Team manages to forge its own identity.
The style of the CG animation here also distinguishes it from Pixar and the
majority of CGI films. It uses a lower frame rate, giving the animation a
staccato stop-motion-like style. Combined with the use of textures you feel
you could almost reach out and touch and the whole thing has a remarkable
physicality to it. To get the idea, think of the animation style of
SpongeBob: Sponge On The Run, Spider-Verse or The
LEGO movies. The third of these seems particularly apt, as Seal Team
moves at quite a clip and has a kind of manic energy similar to
Lord and Miller’s classic brickbuster.
This combines with some inspired designs that help make the film stand out,
both with character designs and in its set design. For the latter,
particularly effective is the way a shipwreck is made to resemble a shark in
its silhouette and the way that Seal Island itself is in the shape of a seal.
In character terms, concepts like the gull with a starfish living in his beak
who have “formed a symbiotic relationship” is a highlight, as is
Dave, the friendly but socially-awkward Basking Shark. The leader of
the shark Grimes does a good job of appearing suitably menace, although
he's not exactly the most memorable of villains. His entourage of glowing
hench-fish is a nice touch, though
There are plenty of memorable characters throughout the film, even if
protagonist Quinn isn’t particularly one of them. Claggart is a fun take on
the grizzled veteran (with a heck of a moustache) and is another excellent
voice performance from Simmons. Twitchy tech guy Switch also makes an
impression, mainly through his use of gadgets such as Octopus-based
invisibility suits, clamshell grenades and other experimental weapons.
Copley's performance is suitably manic and he sounds like he's having a whale
of a time.
Despite being the most prominent South African in the cast, he's not using his
own accent. The only real flashes of a South African twang we hear at all
comes from the very brief appearances of humans in the films. As so often
happens with animation features produced outside of Hollywood, the film is
primarily cast American, presumably under the (unproven) assumption this makes
it more salable internationally. It always seems a shame and a missed
opportunity to have animated films with more distinctive localised voices (in
both senses of the word).
That said, the voice actors do sterling work, as as well as those I've already
praised, there's also excellent work from the likes of Kristen Schaal, Dolph
Lundren (as a dolphin, naturally). Kate Micucci, Matthew Rhys, Matthew Mercer
and Bob Bergen. Listen out too for British Kiss From A Rose singer
Seal in a role that goes beyond a mere cameo and gives him one of
the best lines in the film.
The director uses several visual tricks and effects throughout, including
speed lines and split-screen effects and makes use of techniques such as
montages and slow-motion that could come straight out of an 80's or 90's
action movie. The film is full of riffs on common tropes and cliches of that
era of action cinema and the central plot of a retired soldier coming back for
one last mission is very much one of them. The film also throws in elements
from Bond movies, war films and even anime for good measure.
Seal Team's spoofery of action flicks will definitely be one of the elements
that will appeal most to adult viewers. It will be lost on most of the younger
end of the audience, but there's plenty of eyecatching visuals and knockabout
cartoony humour to keep the kids engaged too.
For the lack of fanfare that accompanied its release, Seal Team is something
of a gem that deserves better than to be lost in the sea of overflowing
content that is Netflix's library. Luckily, the film made an appearance on
the charts in several countries, suggesting that the audience is finding it
on their own.
It's a remarkably confident debut from Cameron and marks both him and
Triggerfish as names to watch.
★★★☆☆
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