Wish Dragon (2021)
Sony Pictures Animation has had one heck of a 2021. Although the pandemic threw a spanner in the works, they have found commercial and critical success on Netflix with The Mitchells Vs The Machines (delayed from its original 2020 release) and Vivo. Wish Dragon was the third of their releases to skip cinemas and head straight to streaming -everywhere except China, where it was released in cinemas in January of this year.
Wish Dragon is the first film to be produced as part of Sony’s international
co-production initiative. It was produced by Sony Pictures Animation and
Columbia Pictures in association with Chinese media giant
TenCent, Beijing Sparkle Roll Media Corporation, Flagship Entertainment and Base FX. The animation
was produced by China-based studio Base Animation (part of
Base FX) and Industrial Light and Magic. It was the feature
debut of writer-director Chris Appelhans.
Comparisons with the story of Aladdin- and in particular
Disney’s classic animated adaptation- are inevitable. Although the
House Of Mouse set their version in a fictional Middle-eastern country,
the original version of Aladdin was actually set in China. Wish Dragon
brings the story back to its original home (he’s called Din,
geddit?) but updates it to a present-day setting.
In the updated
version, Din is no street-rat, but he and his mother live a simple life in
a run-down building, in the shadow of the towering skyscrapers and
structures of modern Shanghai. Similarly, Li Na is not an actual princess
but a model and socialite in high society is a pretty good modern
equivalent.
Although drawing from the same source material, Wish Dragon feels very
much like its own thing, and distinct enough from the Disney film or any
other previous version of the story to make it feel fresh. The
titular mystical beast is also a very distinct character that keeps a
distance from the iconic performance of The Genie from the late,
great Robin Willaims.
Voiced by John Cho in English (or by Jackie Chan in the
Mandarin version) Long is one disgruntled Dragon who is unimpressed with
the modern world and just wants to grant Din’s wishes and get it over
with. Cho has great fun with the role and also is able to bring the
requisite warmth for when Din (inevitably) begins to break down his
defences.
The bond between Long and Din is one of the most important relationships
in the film, but it is the relationship between Din and Li Na that is its
real heart. Their friendship is established effectively in a very sweet
montage featuring their first meeting and showing how they became inseparable until Li
Na’s father took her away. Despite the limited screen time we really see
them together, it's easy to root for them both. It’s quite refreshing that
their relationship is framed as entirely platonic (Din insists multiple
times “it’s not like that”). It’s possibly inferred that their
relationship will probably become romantic in the near future, but to the
young target audience, it just looks like any other friendship.
Visually, the characters are quite a bit simpler and less detailed than
many other recent Hollywood animated features. Certainly in comparison to
the groundbreaking visuals of Sony’s own Into The Spider-Verse and
The Mitchells (or even Vivo) it’s much more conventional. Nonetheless, the
designs have a certain charm to them (particularly Long and his
consistently unimpressed expressions).
In action, the animation has an enjoyably cartoony flavour to it that
shines in some brilliantly executed (and very funny) slapstick, all rubber
limbs and pratfalls. It’s showcased best in some cartoony action sequences
that arise from Din’s magically acquired kung-fu skills. The film’s
villain (the distinctly unthreateningly named Pockets) also has some
pretty impressive moves unleashed with his incredibly long legs.
Wish Dragon’s setting has the effect of automatically making it feel fresher to a western audience. Contemporary China certainly makes for a novel
setting in comparison to the legions of animated features set in the US or
Japan. With the animation itself actually being produced in China, it has
the air of authenticity to it, even if it’s written and directed by an
American filmmaker.
Ultimately although it tells an extremely familiar story that
experienced viewers will never have any doubt where it’s headed, Wish
Dragon does enough different to make it feel like something new.
★★★★☆
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